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P. Wollen, “The Two Avant‐gardes,” in Readings and Writings: Semiotic Counter‐Strategies (London, 1982). Online version here.
J. Walley, “Modes of Film Practice in the Avant‐Garde,” in Art and the Moving Image: A Critical Reader, ed. T. Leighton (London, 2008)
E. de Bruyn, “The Expanded Field of Cinema, or Exercise on the Perimeter of a Square,” in X‐Screen: Film Installations and Actions in the 1960s and 1970s (Vienna, 2003)
P. Wollen, “The Two Avant‐gardes,” in Readings and Writings: Semiotic Counter‐Strategies (London, 1982). Online version here.
J. Walley, “Modes of Film Practice in the Avant‐Garde,” in Art and the Moving Image: A Critical Reader, ed. T. Leighton (London, 2008)
E. de Bruyn, “The Expanded Field of Cinema, or Exercise on the Perimeter of a Square,” in X‐Screen: Film Installations and Actions in the 1960s and 1970s (Vienna, 2003)
Recommended:
P. Adams Sitney, “Structural Film,” in Film Culture 47 (Summer 1969): 1‐10.
G. Stemmrich, “White Cube, Black Box and Grey Areas: Venues and Values”, in Art and the Moving Image: A Critical Reader, ed. T. Leighton
P. Adams Sitney, “Structural Film,” in Film Culture 47 (Summer 1969): 1‐10.
G. Stemmrich, “White Cube, Black Box and Grey Areas: Venues and Values”, in Art and the Moving Image: A Critical Reader, ed. T. Leighton
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