Séances: Background Reading for September 21

Tuesday, 13 September 2011

Background Reading for September 21

Some background literature for next week's lecture:

Boris Groys, "Politics of Installation": http://www.e-flux.com/journal/view/31

Jacques Rancière, "the Emancipated Spectator": http://digital.mica.edu/departmental/gradphoto/public/Upload/200811/Ranciere%20%20spectator.pdf [Somehow the link doesn't appear to work every time, but if you cut and paste it into the address bar, you should be able to access the document.]

Also:

Sven Lütticken, "Transforming Time": http://www.mitpressjournals.org/doi/pdf/10.1162/GREY_a_00009 (Should be accessible via university library, but I can also send a PDF.)

Sven Lütticken, "Viewing Copies": http://www.e-flux.com/journal/view/75

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Séances Fall 2011 MA Seminar

Séances is the title of an MA seminar by Eric de Bruyn (Leiden University) and Sven Lütticken (VU University). This blog serves to inform students about the program and any program changes that may occur. Reports on various activities, presentations and essays may also be posted here.

Séances takes its name from the French term for film screening—une séance de cinéma. Contemporary artists frequently organize screenings of films or compose film programs, either in art spaces or in cinemas (often in conjunction with one of their exhibitions). The practice has become so established that it seems to have become one more tool in the contemporary artist’s toolkit, albeit not always used with great discrimination.

However, the more interesting examples can also be seen as reflections on the screening session as a medium, or rather as a model of artistic practice that tries to go beyond dominant and oft-criticized forms of movie consumption. The screening event can be a performative exploration of alternative modes of mediation, operating directly on the present by reworking the past in an attempt to foster different relationships between audience and screen.